I just started my 41st speech this week. No, I'm not done yet, so don't bust out the tankards of mead and cups of sack quite yet. I've doubled up on a few (quadrupled on Hamlet), so I have handful left before I reach my goal of at least one speech from each play. I felt this a good time to begin imparting some wisdom to anyone who might be inclined to try this on their own.
1) Practice every goddamned day. I start on Sunday with a new speech. I find it is best to learn the whole thing all in one go, and then over successive days, I progressively wean myself from checking the text every other line until I get more confident with it. I tried breaking up longer speeches up into eight- or ten-line bites over four days... but very few of them are so long that I feel I must do that to keep my sanity. I did Richard III's monstrosity over several days early on in the project, but did Richard II's behemoth much more quickly. Soon enough, shorties (20 lines or less) became a piece of the proverbial cake. Cram before bed, when your brain is ripe for filing away new things. Practice in your shower. Practice in your car on your way to or from work. No one will judge you there.
2) Say it out loud. Turn your speech into an earworm. Just like a catchy song you hear fifteen times on the radio at work, the speech will follow you around better if you know how your own voice sounds reciting it. Say it without a sound. Mouthing the words without giving them voice helps develop muscle memory. You tend to exaggerate it when you voicelessly recite, but I've found it opens you up to delivering it more clearly and effortlessly when you voice it again. It's like isometric exercise for your tongue.
3) Watch or listen to actors delivering the speeches you choose. I cannot tell you how much more easy it was to memorize speeches that were already done for me. Sir Kenneth Branagh's recitation of Hamlet's fourth soliloquy ("My thoughts be bloody, or be nothing worth!") will never sop rolling around in my brain. Ben Whishaw's Richard II sitting on the sunny shore of his England as his voice fights the breeze will forever inform my delivery of his monologue about the death of kings. I will never not think of Tom Hiddleston soliloquizing as Prince Hal in King Henry IV Part One. They are more than just pretty faces to me ;)
4) Research the character. Research the vocabulary. Never try to recite anything out of context. Find out what is supposed to be motivating the character and keep it at the forefront of your mind. For each speech, I read the corresponding chapter in Marjorie Garber's "Shakespeare After All" just so I'd recall the plot and get more in depth analysis of characters. Look up every unfamiliar word or phrase. It'll all come more naturally if you know what the bloody hell you're actually saying. Memorization is a party trick. Comprehension takes work. We're here for enrichment of our brains, not for boot camp drills.
5) Choose speeches that intrigue you. At first, this is simple. There are so many speeches on the menu. But after a while, you're bound to hit plays that don't enthuse as much as others, or you simply aren't familiar with them at all. If you can't find something that you like, you're not going to spend as much time with it and you'll lose interest. I've read every play and highlighted the bejesus out of my old paperback copy of the Complete Works, so I could always spot a passage that got my attention and analyze it for potential memorization material. If you lack such a personalized resource, I recommend checking http://www.shakespeare-monologues.org for worthy suggestions.
This will take more than 40 weeks. I don't think I'll be satisfied with myself until a year passes. I took a few breaks to give myself a chance to review old speeches and just because real life carries you away sometimes.
I've already chosen my final speech--one that I think will test all my skills and patience. It's Shakespeare's longest soliloquy, and it marks the return of that trusty bastard Richard Gloucester in his salad days during Henry VI Part Three. 71 lines of pure, uncut soliloquizing. I can't wait!
I've tried Antony's "Friends, Romans, countrymen" from JC, and several from Hamlet. I know I'm a woman, but it's the men's monologues that often intrigue me. Aside from that, several sonnets too. One from each play is a great goal. I should try that one too.
ReplyDeleteThere are some good lady speeches out there, but yes, the men tend to get the most interesting monologues. Most of them are pretty universal, however, and anyone can recite them with heart and meaning ;)
DeleteWhat a great blog! Seems it hasn't received the attention it should've. I started at the very first post and have gone through them all. What a great resource for students of Shakespeare. Really love your commentaries, Caitlin, and the project itself. I'm been memorizing bits of Hamlet and it was while looking for some tips on memorization that I found this blog.
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